{"id":46,"date":"2016-06-30T21:19:24","date_gmt":"2016-06-30T20:19:24","guid":{"rendered":"http:\/\/site.orchestre-opus.fr\/?page_id=46"},"modified":"2022-11-03T16:58:26","modified_gmt":"2022-11-03T15:58:26","slug":"le-repertoire","status":"publish","type":"page","link":"https:\/\/www.orchestre-opus.fr\/index.php\/le-repertoire\/","title":{"rendered":"Le r\u00e9pertoire"},"content":{"rendered":"<div class=\"article-content\">\n<p align=\"justify\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-530  alignright\" src=\"https:\/\/www.orchestre-opus.fr\/wp-content\/uploads\/2022\/11\/FRA-OPUS-2022-027-scaled.jpg\" alt=\"\" width=\"437\" height=\"291\" srcset=\"https:\/\/www.orchestre-opus.fr\/wp-content\/uploads\/2022\/11\/FRA-OPUS-2022-027-scaled.jpg 2560w, https:\/\/www.orchestre-opus.fr\/wp-content\/uploads\/2022\/11\/FRA-OPUS-2022-027-300x200.jpg 300w, https:\/\/www.orchestre-opus.fr\/wp-content\/uploads\/2022\/11\/FRA-OPUS-2022-027-1024x683.jpg 1024w, https:\/\/www.orchestre-opus.fr\/wp-content\/uploads\/2022\/11\/FRA-OPUS-2022-027-768x512.jpg 768w, https:\/\/www.orchestre-opus.fr\/wp-content\/uploads\/2022\/11\/FRA-OPUS-2022-027-1536x1024.jpg 1536w, https:\/\/www.orchestre-opus.fr\/wp-content\/uploads\/2022\/11\/FRA-OPUS-2022-027-2048x1365.jpg 2048w, https:\/\/www.orchestre-opus.fr\/wp-content\/uploads\/2022\/11\/FRA-OPUS-2022-027-400x267.jpg 400w, https:\/\/www.orchestre-opus.fr\/wp-content\/uploads\/2022\/11\/FRA-OPUS-2022-027-272x182.jpg 272w\" sizes=\"auto, (max-width: 437px) 100vw, 437px\" \/>Dans le but de r\u00e9pondre aux exigences d\u2019un r\u00e9pertoire diversifi\u00e9, s\u2019\u00e9tendant de la Renaissance au XX\u00e8me si\u00e8cle, OPUS existe en diff\u00e9rentes formations :<\/p>\n<ul>\n<li>orchestre symphonique (50 musiciens)<\/li>\n<li>orchestre \u00e0 cordes (25 musiciens)<\/li>\n<li>effectif modulable pour les oeuvres avec choeur.<\/li>\n<\/ul>\n<p><strong>\u0152uvres pour orchestre symphonique<\/strong><\/p>\n<p><strong>Albeniz <\/strong>Suite espagnole<\/p>\n<p><strong>Bartok <\/strong>Danses roumaines<\/p>\n<p><strong>Bizet <\/strong>Carmen, suite pour orchestre n\u00b01, Carmen, suite pour orchestre n\u00b02<\/p>\n<p><strong>Brahms <\/strong>Danses hongroises n\u00b01 et n\u00b05<\/p>\n<p><strong>Chabrier <\/strong>Espana<\/p>\n<p><strong>Grieg <\/strong>Suite de Peer Gynt<\/p>\n<p><strong>Honegger <\/strong>Pastorale d\u2019\u00e9t\u00e9<\/p>\n<p><strong>Jacubovski <\/strong>Les d\u00e9lib\u00e9rations des nomades (cr\u00e9ation)<\/p>\n<p><strong>Mascagni <\/strong>Intermezzo musicale, extrait de Cavaleria Rusticana<\/p>\n<p><strong>Massenet <\/strong>M\u00e9ditation de Tha\u00efs<\/p>\n<p><strong>Offenbach <\/strong>Concerto pour violoncelle, deuxi\u00e8me mouvement, La Barcarolle, extrait des <em>Contes d\u2019Hoffmann<\/em><\/p>\n<p><strong>Ravel <\/strong>Pavane pour une infante d\u00e9funte<\/p>\n<p><strong>Satie <\/strong>Gymnop\u00e9dies<\/p>\n<p><strong>Sib\u00e9lius <\/strong>Valse triste<\/p>\n<p><strong>Schumann <\/strong>Concerto pour piano<\/p>\n<p><strong>Strauss <\/strong>Le beau Danube bleu, Pizzicato polka<\/p>\n<p><strong>\u0152uvres pour orchestre \u00e0 cordes<\/strong><\/p>\n<p><strong>Arbeau <\/strong>Belle qui tiens ma vie<\/p>\n<p><strong>Bach <\/strong>Troisi\u00e8me concerto brandebourgeois<\/p>\n<p>Concerto pour violon et hautbois, adagio<\/p>\n<p>J\u00e9sus, que ma joie demeure, extrait de la Cantate 147<\/p>\n<p>Double concerto pour hautbois et violon<\/p>\n<p>Suite n\u00b02 en si mineur<\/p>\n<p>Suite pour orchestre n\u00b02 BWV 1067<\/p>\n<p>Concerto pour deux clavecins<\/p>\n<p><strong>Bellini <\/strong>Concerto pour hautbois<\/p>\n<p><strong>Borodine <\/strong>Danse polovtsienne extraite du <em>Prince Igor<\/em><\/p>\n<p><strong>Corelli <\/strong>Suite de danses, Concerto pour la nuit de No\u00ebl<\/p>\n<p><strong>Debussy <\/strong>Danses sacr\u00e9e et profane<\/p>\n<p><strong>Gervaise <\/strong>Bransles de Bourgogne et de Champagne<\/p>\n<p><strong>Haendel <\/strong><span lang=\"en-GB\">Air extrait de <\/span><span lang=\"en-GB\"><em>Water Music, <\/em>Concerto grosso<\/span><span lang=\"en-GB\"> opus 6<\/span><\/p>\n<p><strong>Haydn <\/strong>Concerto en do majeur pour violon<\/p>\n<p><strong>Hummel <\/strong>Fantaisie pour alto solo et cordes<\/p>\n<p><strong>Joplin <\/strong>Ragtime The Entertainer<\/p>\n<p><strong>Mozart <\/strong>Concerto pour fl\u00fbte et harpe, deuxi\u00e8me mouvement<\/p>\n<p>Ave verum corpus<\/p>\n<p>Divertimento n\u00b017, adagio<\/p>\n<p><strong>Offenbach <\/strong>Deux \u00e2mes au ciel<\/p>\n<p>La muse, extrait des Contes d\u2019Hoffmann<\/p>\n<p>La s\u00e9r\u00e9nade du Page, extrait de <em>Genevi\u00e8ve de Brabant<\/em><\/p>\n<p><strong>Pachelbel <\/strong>Canon<\/p>\n<p><strong>Purcell <\/strong>Deux rondos, extraits de <em>The Fairy Queen<\/em> et <em>Abdelazar<\/em><\/p>\n<p><strong>Rameau <\/strong>Suite de danses des <em>Indes Galantes<\/em><\/p>\n<p><strong>Scarlatti <\/strong>Symphonie n\u00b04<\/p>\n<p><strong>Schubert <\/strong>S\u00e9r\u00e9nade extraite de <em>Schwanengesang<\/em><\/p>\n<p><strong>Sib\u00e9lius <\/strong>Impromptu<\/p>\n<p><strong>Radzesky <\/strong>Marche<\/p>\n<p><strong>Vivaldi <\/strong>Concerto en r\u00e9 mineur pour deux violons et violoncelle<\/p>\n<p>Concerto pour deux hautbois<\/p>\n<p>Concerto en la mineur<\/p>\n<p>Quatre saisons<\/p>\n<p><strong>Wagner <\/strong>Arriv\u00e9e des fianc\u00e9s, extrait de <em>Tannh\u00e4user<\/em><\/p>\n<p><strong>Zimmer <\/strong>Valse<\/p>\n<p><strong> <img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-93 alignright\" src=\"http:\/\/site.orchestre-opus.fr\/wp-content\/uploads\/2016\/06\/Ioann\u00e8s-1-300x300.jpg\" alt=\"Ioann\u00e8s-1\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.orchestre-opus.fr\/wp-content\/uploads\/2016\/06\/Ioann\u00e8s-1-300x300.jpg 300w, https:\/\/www.orchestre-opus.fr\/wp-content\/uploads\/2016\/06\/Ioann\u00e8s-1-150x150.jpg 150w, https:\/\/www.orchestre-opus.fr\/wp-content\/uploads\/2016\/06\/Ioann\u00e8s-1.jpg 591w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>\u0152uvres avec ch\u0153ur <\/strong><\/p>\n<p lang=\"en-GB\"><strong>Bach <\/strong>Cantate BWV 4<\/p>\n<p lang=\"en-GB\">Cantate BWV 131<\/p>\n<p lang=\"en-GB\">Cantate BWV 82 \u201cIch habe genug\u201d<\/p>\n<p><strong>Brahms <\/strong>Vier lieder, pour ch\u0153ur, deux cors et harpe<\/p>\n<p><strong>Durante <\/strong>Magnificat<\/p>\n<p><strong>Faur\u00e9 <\/strong>Requiem<\/p>\n<p><strong>Faur\u00e9 \/ Messager <\/strong>Messe des P\u00eacheurs de Villerville<\/p>\n<p><strong>Haendel <\/strong>Dixit Dominus, Le Messie<\/p>\n<p><strong>Haydn <\/strong>Petite messe br\u00e8ve en F, Salve Regina, Messe Saint-Jean de Dieu<\/p>\n<p><strong>Mozart <\/strong>Requiem<\/p>\n<p>Misericordias Domini<\/p>\n<p>Laudate dominum<\/p>\n<p><strong>Pachelbel <\/strong>Magnificat<\/p>\n<p><strong>Perruchon <\/strong>Dogora<\/p>\n<p><strong>Purcell <\/strong>Didon et En\u00e9e<\/p>\n<p><strong>Schubert <\/strong>Messe en Sol Majeur<\/p>\n<p><strong>Telemann <\/strong>Cantate fun\u00e8bre<\/p>\n<p><strong>Vivaldi <\/strong>Psaume 111<\/p>\n<p>Magnificat<\/p>\n<p>Credo<\/p>\n<p>Gloria<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Dans le but de r\u00e9pondre aux exigences d\u2019un r\u00e9pertoire diversifi\u00e9, s\u2019\u00e9tendant de la Renaissance au XX\u00e8me si\u00e8cle, OPUS existe en diff\u00e9rentes formations : orchestre symphonique (50 musiciens) orchestre \u00e0 cordes <a class=\"more-link\" href=\"https:\/\/www.orchestre-opus.fr\/index.php\/le-repertoire\/\">Continuer la lecture \u2192<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-46","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.orchestre-opus.fr\/index.php\/wp-json\/wp\/v2\/pages\/46","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orchestre-opus.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.orchestre-opus.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.orchestre-opus.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orchestre-opus.fr\/index.php\/wp-json\/wp\/v2\/comments?post=46"}],"version-history":[{"count":5,"href":"https:\/\/www.orchestre-opus.fr\/index.php\/wp-json\/wp\/v2\/pages\/46\/revisions"}],"predecessor-version":[{"id":531,"href":"https:\/\/www.orchestre-opus.fr\/index.php\/wp-json\/wp\/v2\/pages\/46\/revisions\/531"}],"wp:attachment":[{"href":"https:\/\/www.orchestre-opus.fr\/index.php\/wp-json\/wp\/v2\/media?parent=46"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}